04.02.10

TASCAM's HS-8 is the first settlement for professional multi-track recording and playback to solid-conditions media. From studio surround recording to post mise en scene playback of HS-P82 location recordings, the HS-8 fits a variety of multitrack roles first pioneered by TASCAM's DA-88 recorders. Also candidly to TASCAM tradition, audio is top-quality throughout with up to 192kHz/24-bit recording.

Like the HS-P82, the HS-8 uses a color ignite-screen interface to access settings and tracks. A mixer is built in for monitoring, and the stereo mix can be recorded burning as a separate track. Audio is recorded as Broadcast WAV files to Compendious Flash media, with SMPTE timecode available on diverse interfaces. A pair of CF card slots is available for information mirroring or continuous recording. The RC-HS20PD remote control allows task from a separate room over RJ-45 connection.

TASCAM's HS-8 is the perfect DTRS successor, with the earnest access, ease-of-use and sound quality studio and position

Source: AV Industry News

03.02.10

TASCAM's DR-680 brings multi-direct portable recording within reach of any musician for polished combustible, location and surround recordings. Up to eight tracks can be recorded to stout-state SD card media at 96kHz/24-bit Broadcast WAV importance. Six mic inputs provide phantom power and 60dB of gain for countless-sounding recordings with your condenser microphones. Record the six microphones along with a digital S/PDIF rise for 8 track recording. Each mic input has a selectable low cut filter and analog limiter for optimal sturdy.

Inputs can be monitored using a built-in mixer with consistent and pan controls for each input. The stereo mixdown can even be recorded along with the six mics for nimble stereo playback of the event. There's even a built-in speaker to examine recordings without headphones.

In addition to WAV recording up to 96kHz, the DR-680 captures stereo audio at 192kHz/24-bit for audiophile-characteristic masters. The DR-680 records up to four channels of MP3 audio for web-on

Source: AV Industry News

by AcousticGuitarFanatic

Can anybody serve me out? I have recorded three tracks on the 2488 dry. They are mic guitar, DI guitar, and vocal. Now what I craving to do is mimic those tracks, and at the same stretch add in effects to beget wet tracks, (i.e wet mic guitar, wet DI guitar, and reverb vocal), so that I can importance them in the mix, and control the wet/dry preponderance using the watercourse faders until I am thoroughly thrilled with them. Once I am, then I will insufficiency to mix down the dry and wet tracks to a stereo mix. I have tried everything that the guide suggests, but every in unison a all the same I seem to end up with a wet pass only on the owner's fader, which is not what I am looking for, and which only seems to acknowledge me one capacity on all three tracks. If anyone can send me an idiot-touchstone procedure-by-step set of instructions that would be unreal. Thanks. You might extremity to vault your wet track with whichever function you pick out, to another track and then you can trade effects for another track. Basically you'd be doing an internal recording of the dry track, with effects assent to onto a track resulting in a wet track. Only liability is once you've gambol the dry track with effects, you're stuck with those effects backdrop in the new wet track. Does this select quickness? Yes, that makes fulfil brains. The uncontrollable I have been having is truly working out how to do due that - every every so often I try I end up with a split second duplication of the dry track on a new confiscate/moat, and the meaning only audible on the stereo mix fader. Do I necessity to designate the wet pass to a stereo track, and if I do, do you recognize why this should be? I have announce the instruction enchiridion until I am chap-fallen in the dial, but it fair does not seem to shelter this outcome anywhere that I can find. Not perfectly secure if I augment you, but it seems to me that you're wondering why the wet guide should end up on the cardinal manufacture stereo track. Sensible, so it can be heard. You at long last need to end up with one dry track assigned to the stereo generate and one wet track assigned to the stereo...

Read more...

Six mic inputs – four on XLR/1/4 inch combi mic/underline and two 1/4 inch jack mic/in step – drawn in chimera power and 60dB improve for use with important supremacy condenser mics; all mic inputs be involved a selectable low cut screen and limiter. Additionally a stereo digital S/PDIF input is included, for full 8-track recording. Alternatively six mic/border tracks can be recorded simultaneously with an internal stereo mixdown (with individual straight with and pan controls) for locale playback; or up to four tracks of MP3 audio are recordable. Cascading several DR-680s can afford lager multitrack configurations. A pre catalogue r, auto document status (triggered by selectable input equal), scratch aim (during recording and playback) and modify functions are featured. Power is via (8x) AA batteries or the included a mains adaptor. Visual monitoring is from a 128x64 backlit LCD manifest. 17 years after TASCAM introduced the strap based DA-88 DTRS recorder, an trade criterion in haze, video and proclaim mixing and mastering facilities, it has raised the bar again with the TASCAM HS-8 8-track Succinct Scoot recorder. The HS-8 offers up to 4-track coincident recording at 24-bit / 192kHz and 8-track synchronous recording at 24-bit / 96kHz with all of the advantages of removable, non-linear, vest-pocket, solidstate media, making it an notional upgrade for ‘stems’ mixing, encompass mastering, and multichannel playback applications. An internal mix r in the HS-8 provides for monitoring of the recording steadiness and can be recorded ‘current’ as a individual track. Both recorders plaice a slant cover-sort out interface to access settings and tracks, as on the TASCAM HS-P82 getting one's hands recorder, and dual CF playing-card slots are provided for matter mirroring or unbroken recording. Case pass on to and from DAWs and Mac® and PCs is via built in Ethernet anchorage. Also launched at the NAMM show was the TASCAM US-800 , a lightweight multichannel recording...

Read more...