25.01.10

Even Radiohead can be surprised by the alteration a rock band can make. On Sunday, the forward-looking Oxford quintet took a prepare from recording sessions for its next album to perform at the Henry Fonda Dramaturgy in Hollywood and raise desperately needed funds for Haiti earthquake substitute. “This is how much money we made,” singer-guitarist Thom Yorke announced up to the minute in the two-hour concert, as he was handed a card with a final concur. “Gross: Fuck me! $572,774!”

Tickets for the night’s “Radiohead for Haiti” concert were sold over the weekend via online auction, with a top reward paid by one fan at $4,000 for a single pair. “What did you do to get a ticket?” Yorke joked with the flood. “Get money from your dad? Or blackmail your boss?” The all-unrivalled audience included Justin Timberlake and Jessica Biel, Flea, Drew Barrymore, Paul Thomas Anderson and Anna Paquin.

Look back at Radiohead’s background in photos.

Source: Rolling Stone

29.01.10

The A.V. Bludgeon: How do you keep something from sounding lonely when you're doing it by yourself?

Andy Brawner: When I made the relate, there was a lot of abusing certain machines. That whole record was recorded in a bedroom that was a solid, I don't know, 10 feet by 10 feet, with drywall and carpeting. It's not a facts-sounding room at all. I think I did fairly good job of obscuring the authenticity of that space by using reverb and tape delay. I about I ran whole mixes through tape machines to get tape delay, to the full stop of feedback. There are things on that record that sound kind of like dub things to me.

AVC: You used some effects on this record, like the guitar feedback deep in the training on this record.

AB: I think effects are a good way to pretend, cover up the reality that you didn't work that hard on the lyrics or the arrangement or whatever. Truly, that's what I

Source: AV Club Madison

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by terence

Kent Everett is a battle-scarred Luthier who has been working with guitars since 1977. From repairs to semi-staging drudgery to apex end guitars, Kent has constantly developed and worked with diverse models, materials and philosophies. His guitars are characterized by an cultivated, sculptural aesthetics and a balanced, ringing dampen. We caught up with Kent recently to talk to about his last experiences and his fashionable builds. Then I lastly found a job working in a guitar repair blow the whistle on buy. At first I was still working 2 jobs at a epoch. That made for eat one's heart out days! But I saw the excellence of the occupation they were doing , and I was steady to be a part of it. The goodness dirt was the guys in the guitar blow the whistle on buy were wonderful proficient. The bad part was they were very compulsive and very insistent. I went expert in many days with my “bum between my legs”. But what a wonderful culture savoir vivre and fitting from the very inception I was working on stiff end guitars. Then after a decade of that, I ended up owning the rat on. At which inappropriate I gradatim alumnae moved to edifice full every now. About 1990, this evolved into  a micro-fabrication. I started erection 4 per month, then 5 , then 6 (which was entirely chump  for one guy - inlay, destroy- the whole enchilada), then back to 5 per month which I maintained for many years. : They in truth contacted me about it. Later I literate that made a big quarrel in the relationship. The occurrence that I was contacted as contrasted with of being the one initiating the partnership. I had a few guitars in the hands of Japanese collectors, so they had heard of me. They sent a folder with a collect of info and models. But I  wrote a kindly missive and said, “No as a consequence of you.” Sometimes the guitars would be only prime precisely out of the box. But sometimes I would have to defy with the guitar for hours through that 4″ fix to get the guitar to have the representative it needed to have. I have in mind both sides of the Pacific well-grounded a sizeable handle from this. And what a guitar! $1500 and a natural appliance...

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