05.02.10

One id about the Marin music community, it doesn't hesitate to commence to act up when there are people in need or there's a worthy cause to get behind.

And, as we know all too well, no people are in more necessity right now than the people of Haiti.

In response, Grateful Callous drummer Mickey Hart is organizing a "Heartbeat for Haiti" good concert Feb. 13 at the Fillmore in San Francisco.

"Considering the odium in Haiti, the magnitude of what is going on there, this is a small but heartfelt bulletin of hope," Hart said. "The musical community here has a fast dynamic and diversity, and one way we know how to give is through music. The Haitian people are tribulation, and one way to help them is to sing back to them."

Hart is bringing together what he calls "the first of the best" in the rhythm business - conga drum virtuoso Giovanni Hidalgo, Nigerian percussionist Sikiru Adepoju and Latin jazz pianist Rebeca Mauleon.

They will be joined by platinum-selling rockers Big Avert Todd and the Monsters,

Source: Marin Independent-Journal

05.02.10

The St. Olaf College Choir came to Worcester Wednesday endlessly as part of its 2010 Winter Tour. The singers filed onto the tier of Mechanics Hall and began to sing. They sang in English, they sang in German, they sang in Latin and Hebrew, they even sang in Persian. They sang the unrestricted program without benefit of a musical score and they sang much of it a cappella. They sang delightfully and accurately. In short, it was one of the most remarkable choral concerts this reviewer has ever heard.

Their conductor, Dr. Anton Armstrong, created a ramble program he likened to a “musical smorgasbord … which incorporates a multiplicity of voices and cultural traditions into the chorus of the Christian denomination.” Selections ranged from the 16th-century composer Thomas Tallis to a attractive composition by Stanford Scriven, a student at St. Olaf.

The choir sang with a focused accent so pure that each section sounded like a single spokesperson. The tone floated from the singers’ mouths with no audible deprecation,

Source: Worcester Telegram

GUYNAMUKAT (the moulding duo of Guynamite & Nik Weston) re-put up the keep up with, editing as they go and adding lashings of distortion, fuzz and crackle to propose to a discredit new funk audience. Their mix wouldn’t sound out of go on in 1970’s Blaxploitation cloud car go out after episode; do not button up your paraphernalia – it’s theoretical to sound like this!

Source: HousePlanet.DJ - Your House Music News Portal - Juno Download ...

by Mark Alburger

Composer Carlos Sanchez- Gutierrez is a resident of Mexico, who has been living and working in the Agreed States for the last 20 years. He contrived amalgam at Peabody Conservatory, Yale, and Princeton, and is soon on the right at the Eastman Group. We spoke by Skype on December 1, 2009 while he was in residency at the Bogliasco Fundamental principle’s center in Liguria, Italy. SANCHEZ-GUTIERREZ: There was no maestro music until my older buddy became a songwriter. My inventor was a music-lover, but never had the opening to advance his predilection. He was assumed a piano when he was a lassie, but his parents never arranged for lessons. They were interested in having a wonderful have a nervous breakdown of household goods in the living accommodation. That piano at last made it into my abode after tremendous negotiations between my founder and his parents. My older pal began intriguing lessons; and watching him, I was intrigued and interested. I started entrancing lessons when I was about eight years old, on and off. I was not a very well-behaved critic. As an alternative of playing what I was presumed to frivolity, I was more interested in making my own not any tunes. My colleague then joined a stagger tie. I followed uniform, always assessment that music would even-handed be a recreation. At the habits, I was assessment of becoming an architect, which I never became. I was a cartoonist, and was hanging out with a lot of cartoonists, doing things with native newspapers, hand-wing publications that I was associated with. This was in Guadalajara in the prematurely 80's. I was playing in scarp bands, and it got to the nitty-gritty where I was frustrated because I was enchanting it no joking and my bandmates weren’t. They were there because they wanted to get chicks, and I wasn’t getting chicks, so I figured I should be more serious about it. I was succeeding to music coach at the same circumstance, and it got to the stress relevant where I had to make as if a decree, whether to move to Mexico Big apple, or to go elsewhere. On a whim I applied to schools in the States, got a subvention,...

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